Playing a musical instrument is amazing. It develops so many skills, and not just musical ones: it can build confidence, patience and self-reliance and can enhance verbal memory, spatial reasoning

Playing a musical instrument is amazing. It develops so many skills, and not just musical ones: it can build confidence, patience and self-reliance and can enhance verbal memory, spatial reasoning
Are you inclined to criticize yourself for the smallest things? Are you overly concerned about what others think of you and your playing? Are you fearful of getting it wrong? Are you stuck in a rut? It is very likely that we all have some emotionally charged reactions to these questions in some form or another. Their effect on our musical lives can shape our playing and alter the pure enjoyment we can attain from one simple note.
The following interview with London Symphony Orchestra Principal Flute Gareth Davies interview was originally posted on Principal Chairs. He talks about everything from the LSO to auditions, colleagues in the
For many years now there has been an issue in the British flute world that has been allowed to continue unchecked and I feel that is time that someone with a contrasting view voices an opinion.
What’s in a scale? More to the point, what’s in “the Cooper scale”? This short primer on scale—and why every flutist needs to understand its importance— includes a heartfelt appeal for the open information-sharing that defined the character of the late Albert Cooper.
Over recent years in Jonathan Myall Music, we have come across more and more flute players who suffer a silver allergy – and I’m one of them. I have several allergies: silver, dust, cats, (sharp flute playing!), and have found that I can not do anything about them other than to find a way not to be exposed to the causes. However, a silver allergy really isn’t helped by playing a silver flute! If you are like me, and need help with finding an answer to this miserable problem, read on!